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第7部分(第2页)

colourless; detached substance; it recovers its elasticity as soon as I

resort to the powers of another mind which mands light; harmony;

colour。 Now; if the five senses will not remain disassociated; the life

of the deaf…blind cannot be severed from the life of the seeing; hearing

race。

The deaf…blind person may be plunged and replunged like Schillers

diver into seas of the unknown。 But; unlike the doomed hero; he returns

triumphant; grasping the priceless truth that his mind is not crippled;

not limited to the infirmity of his senses。 The world of the eye and the

ear bees to him a subject of fateful interest。 He seizes every word

of sight and hearing because his sensations pel it。 Light and colour;

of which he has no tactual evidence; he studies fearlessly; believing

that all humanly knowable truth is open to him。 He is in a position

similar to that of the astronomer who; firm; patient; watches a star

night after night for many years and feels rewarded if he discovers a

single fact about it。 The man deaf…blind to ordinary outward things; and

the man deaf…blind to the immeasurable universe; are both limited by

time and space; but they have made a pact to wring service from their

limitations。

The bulk of the worlds knowledge is an imaginary construction。 History

is but a mode of imagining; of making us see civilizations that no

longer appear upon the earth。 Some of the most significant discoveries

in modern science owe their origin to the imagination of men who had

neither accurate knowledge nor exact instruments to demonstrate their

beliefs。 If astronomy had not kept always in advance of the telescope;

no one would ever have thought a telescope worth making。 What great

invention has not existed in the inventors mind long before he gave it

tangible shape?

A more splendid example of imaginative knowledge is the unity with which

philosophers start their study of the world。 They can never perceive the

world in its entire reality。 Yet their imagination; with its magnificent

allowance for error; its power of treating uncertainty as negligible;

has pointed the way for empirical knowledge。

In their highest creative moments the great poet; the great musician

cease to use the crude instruments of sight and hearing。 They break away

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