参考资料
AhCheng。ThreeKings。Trans。BonnieS。McDougall。London:WilliamCollinsSons,1990。
An,Jingfu。“ThePainofHalfTaoist:TheTaoistPrinciples,ChineseLandscapePainting,andKingoftheChildren。”InLindaErlichandDavidDesser,eds。,CinematicLandscape:ObservationsontheVisualArtsandCinemaofChinaandJapan,pp。117-126。Austin:UniversityofTexasPress,1994。
Braester,Yomi。“FarewellMyConcubine:NationalMythandCityMemories。’InChrisBerry,ed。,ChineseFilmsinFocus:25NewTakes,pp。89-96。London:BritishFilmInstitute,2003。
ChenKaigeandTonyRayns,KingoftheChildrenandtheNewChineseCinema。London:FaberandFaber,1989。
Chow,Rey。“SilentIstheAncientPlain:Music,Filmmaking,andConceptionofReforminChina’sNewCinema”and“MaleNarcissismandNationalCulture:SubjectivityinChenKaige’sKingofChildren。”InPrimitivePassions:VisualizingSexuality,EthnographyandContemporaryChineseCinema,pp。79-141。NewYork:ColumbiaUniversityPress,1995(中译本《原初的激情》,远流出版。)
——。“TheSeductionofHomecoming:Place,Authenticity,andChenKaige’sTempressMoon。”InWen-hsinYeh,ed。,Cross-CulturalReadingsofChineseness:Narratives,Images,andInterpretationsofthe1990s,pp。8-26。Berkeley,CA:CenterforChineseStudies,2000。
Kuoshu,HarryH。,ChenKaige,andWendyLarson。“3。FarewellMyConcubine(Bawangbieji,dir。ChenKaige,1993)”and“11。YellowEarth(Huangtudi,dir。ChenKaige,1984)。”InHarryH。Kuoshu,ed。,CelluloidChina:CinematicEncounterswithCultureandSociety,pp。69-85。Carbondale:SouthernIllinoisUniversityPress,2002。
Larson,Wendy。“DuanwuGoesHome:CheKaige’sTempressMoonandthePoliticsofHomecoming。”InWen-hsinYeh,ed。,Cross-CulturalReadingsofChineseness:Narratives,Images,andInterpretationsofthe1990s,pp。27-52。Berkeley,CA:CenterforChineseStudies,2000。
Lee,Lillian。FarewellMyConcubine:ANovel。Trans。AndreaLingenfelter。1993;reprint,NewYork:HarperPerennial,1994。
Leung,HelenHok-Sze。“YellowEarth:HesitantApprenticeshipandBitterAgency。”InChrisBerry,ed。,ChineseFilminFocus:25NewTakes,pp。191-197。London:BritishFilmInstitute,2003。
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Silbergeld,Jerome。ChinaIntoFilm:FramesofReferenceinContemporaryChineseCinema(chapters1,3,6)。London:ReaktionBooks,1999。
Tam,Kwok-kanandWimalDissanayake,eds。“ChenKaige:StepsTowardaPersonalCinema。”InKwok-kanTamandWimalDissanayake,eds。,NewChineseCinema,pp。11-22。Oxford:OxfordUniversityPress,1998。
Yan,EstherC。M。“YellowEarth:WesternAnalysisandaNon-WesternText。”InChrisBerry,ed。,PerspectivesonChineseCinema,pp。62-79。London:BritishFilmInstitute,1991。
ZhangXudong。“ACriticalAccountofChenKaige’sKingofChildren。”InChineseModernismintheEraofReforms,pp。282-305。Durham:DukeUniversityPress,1997。
李尔葳,《直面陈凯歌:陈凯歌的电影世界》,北京:经济日报出版社,2002。
倪震,《陈凯歌:中国历史文化的诠释者》,收录于罗艺军编,《华语电影十导演》,页155—207。杭州:浙江摄影出版社,2000。
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